Jazz Studies 200

Course aim

Examine the body of recorded work associated from the period of 1959 to the 1970s in conjunction with the relevant literature; in addition to developing the students understanding of the fundamental principles and techniques of arranging and their application within a jazz context.

Course content

A focus on the development of jazz from 1959 to the early 1970s concentrating on the major musical innovations, definitive stylistic characteristics, external musical influences and seminal jazz artists from the period. Intermediate arranging skills will be developed through an examination of musical elements and key arranging concepts, with the practice of arranging music for medium sized jazz ensembles being used to support and apply the underpinning constructs. Primary focuses will include: presentation and layout of music, understanding of technical limits and possibilities of the studied instruments, intermediate arranging techniques and tools of creative expression.

Textbook(s)

Rayburn Wright 1982, Inside the Score, Kendor Music Inc., New York

Prerequisite(s)

Nil

Corequisite(s)

Nil

Teaching method

Note: These components may or may not be scheduled in every study period. Please refer to the timetable for further details.

Assessment

Essay, Examination, Project

Fees

EFTSL*: 0.125
Commonwealth Supported program (Band 1)
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Fee-paying program for domestic and international students
International students and students undertaking this course as part of a postgraduate fee paying program must refer to the relevant program home page to determine the cost for undertaking this course.

Non-award enrolment
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* Equivalent Full Time Study Load. Please note: all EFTSL values are published and calculated at ten decimal places. Values are displayed to three decimal places for ease of interpretation.